Forget Me NotBy November 1822, the British reading public had already voraciously consumed both Walter Scotts expensive novels and Rudolf Ackermanns exquisite lithographs. The next decade, referred to by some scholars as dormant and unproductive, is in fact bursting with Forget Me Nots, Friendships Offerings, Keepsakes, and Literary Souvenirs. By wrapping literature, poetry, and art into an alluring package, editors and publishers saturated the market with a new,